Some birds and bugs construct nests by sewing or weaving strands of material together. And some fashion nests out of various kinds of paper-like stuff that they create using their saliva. And some form nests out of mud. And in depressions they make or find. And in mounds they raise. And some carve nests out of wood. Sometimes, nests — at times, many by the same individual — are constructed as part of a mating ceremony, but, much more often, they’re created to be the home of incubating young and to serve as their birthing room and as their childhood playhouse. But not always. The uglynest caterpillar builds a nest for its eggs in rose bushes or in cherry or hawthorn trees. But, then, when the eggs hatch, the larvae themselves build a web nest, also called a tent nest (often seen by humans as unattractive, hence, the insect’s name), in which they go through various stages until they come out as moths. “Homes and safe places” Nests are little works of art, built with care and precision, confident and complete. They work!…Best of all, they are of use, providing a service. They are natural materials recycled to create […]
You Suck: A Love Story, published in 2007, is a sequel to Christopher Moore’s 1995 novel Bloodsucking Fiends: A Love Story. It was then followed, in 2010, by Bite Me: A Love Story. You may notice a pattern here. The temptation with sequels — it’s something that’s good and bad — is to regurgitate the plot and characters of the first book in a slightly different (but pretty much the same) way. It worked the first time, right? The good part is that fans of the first book tend to lap up (if you’ll excuse the image) the slightly different (but pretty much the same) sequel. It was, after all, fun the first time. The bad part is that, well, it can come across as stale. For Christopher Moore, though, “stale” is a word that hasn’t been invented. His comic sense transcends triteness because I’m not sure he knows the meaning of “boring.” (I mean, I’m sure he knows the meaning of the word “boring,” but I don’t think that he’s able to write a boring page if he tried. [Well, maybe if he tried, all in the service of a higher comic purpose. So, in that case, he would […]
Galactic Derelict, published in 1959, is the second in a series of Andre Norton novels that began a year earlier with Time Traders. After stumbling onto a long-lost alien technology that permits time travel, two groups of humans — the Reds (i.e., the Soviet Union), originally, and then the United States, trying to catch up — endeavor to go into the past in a search for other scientific miracles. In order to fit in, the Americans masquerade as traders. It’s not clear how the Reds present themselves, and, by the end of the first novel, it doesn’t matter since they’ve gotten their comeuppance from a group of aliens that are discovered lurking thousands of years ago. Runaway space ship Galactic Derelict, set in the late 1970s, starts off immediately after the first book and centers on a large ball-like space ship that’s found 12,000 years back in time in what is now the arid stretches of the American Southwest. All those thousands of years ago, however, the land is a lush green place where sabretooth tigers and huge mammoths are threats, as are some primitive humans. The plan is to set up machinery to send the entire ship back […]
I nabbed the coveted 10 am-noon slot on Sunday, June 11, at the Printers Row Lit Fest in the South Loop, and I’ll be signing and selling copies of the Pulitzer Prize-nominated poetry collection Requiem for David in tent RR, three tents west of State Street on Polk Street. I’m sure there will be billboards pointing to the place. Come on down and say hi!
There is a common phrase in American democracy asserting that “All politics is local.” It’s most often attributed to Thomas “Tip” O’Neill, the masterful Massachusetts Democratic Congressman who, from 1977 to 1987, was Speaker of the U.S. House of Representatives. Those four words are a cautionary tale to any politician who, caught up in high-flown ideals or the high status of office, forgets to take care of his or her constituents. In 1979, Chicago Mayor Michael Bilandic learned this to his chagrin. After a January blizzard dumped 35 inches of snow in a two-day period, he failed to clear the city’s streets and keep the elevated trains operating in all neighborhoods. The result: Bilandic was voted out of office a month later. All faith The same is true for belief: “All faith is local.” As with politics, the believer has to have ideals. That means working — on a citywide and statewide and national and international level — for moral policies and programs that benefit everyone, particularly those on the margins of society. It’s important to be an activist for peace and justice by voting in a sober, thoughtful way and by taking part in the political dialogue by […]
In her new novel The Book of Joan, Lidia Yuknavitch creates a central character Joan of Dirt who shares some parallels with the fifteenth-century French heroine and Roman Catholic saint Joan of Arc. Both are named Joan and grow up in Domrémy, France. Yuknavitch calls it by its modern-day name, Domrémy-la-Pucelle, which means Domremy of the Maid, a reference to Joan of Arc. This, though, goes unremarked by Yuknavitch. Indeed, despite the parallels between Joan of Dirt and Joan of Arc, there is no mention in the novel about the historic figure. Joan of Dirt’s story is told by Christine Pizan, a contemporary, while one of the chroniclers of the life of Joan of Arc was her own contemporary, Christine de Pizan. Both Joans, as young girls, begin to hear otherworldly sounds that give direction and meaning to their lives. For Joan of Arc, the sounds were the voices of saints, angels and God. For Joan of Dirt, they were a song — “a hum, like a thousand children hitting the same low note.” Both, as teenage girls, lead armies and win battles, are captured, labeled by the authorities as heretics and burned at the stake. Killing and dying […]
The key scene in Christopher Moore’s 1995 comic novel Bloodsucking Fiends: A Love Story, comes at the end of the first of three sections. In the aftermath of making love for the first time, Jody is trying to convince Tommy that she is a vampire. But he’s not buying it. “I’m a vampire.” “That’s okay,” Tommy said. “I knew this girl in high school who gave me a hickey that covered the whole side of my neck.” “No, Tommy, I’m really a vampire.” She looked him in the eye and did not smile or look away. She waited. He said, “Don’t goof on me, okay?” It goes on like this for another page or so as Jody keeps coming up with ways to show him that she’s, well, not quite human any more, and Tommy isn’t getting it. Then, to prove to him that she can see in the dark, Jody has Tommy open one of Jack Kerouac’s books — Tommy is a would-be writer living in San Francisco, so, of course, he has a copy of Kerouac — and proceeds to read half a page in the total dark of the bedroom. The light starts to dawn in Tommy’s […]